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A Chorus Line is a stunning concept musical capturing the spirit and tension of a Broadway esnemble audition. Exploring the inner lives and bittersweet ambitions of professional Broadway performers, the show features one powerhouse number after another. Memorable musical numbers include "What I Did for Love, "One," "I Can Do That," "At the Ballet," "The Music and the Mirror," and "I Hope I Get It." A brilliantly complex fusion of song, dance, and compellingly authentic drama, A Chorus Line was instantly recognized as a classic.
We are looking for passionate, diverse, and talented performers! This is a dance-heavy production that requires strong performers with excellent storytelling abilities. All ethnicities and backgrounds are encouraged to audition! This production is open to Rising High School Seniors - Age 24.
Fill out the Audition Google Form (link below)
Company Theater Process:
June 9th-14th: 9am-2pm
June 16-21st: 9am-2pm
June 23-26th: 9am-2pm
*some rehearsals may be extended.
*conflicts to be turned in at auditions
Thursday June 26th - Sunday June 29th
4pm Shows
Rehearsal Location: 3253 Waccamaw Blvd, MYRTLE BEACH SC 29579
Performance Location: The Broadway Theater at Broadway at the Beach
A Chorus Line Production: 3 week intensive with Company Theater:
Tuition $450
*Scholarships available
*Contact us for Tuition options
Producer: Haley Morgan
Director/Choreographer: Alison Levenberg
Music Director: Megan Hoffman
Zach – The director leading the audition. Strong presence, authoritative but emotionally invested. (Spoken role)
Larry – Zach’s assistant and rehearsal choreographer. (Strong dancer)
Cassie Ferguson – A seasoned dancer with a complicated past with Zach. Strong dancer, emotionally expressive. (Sings "The Music and the Mirror") Range: A3-C#5 (opt. D#5)
Sheila Bryant – A sharp, confident, and sarcastic veteran dancer with a tough exterior. (Sings "At the Ballet") Range: G3-Bb4 (opt. E3)
Diana Morales – A determined Puerto Rican dancer with a strong personality. (Sings "Nothing" and "What I Did for Love") Range: G3-C#5 (opt. F#5)
Richie Walters – A high-energy African-American dancer, full of charisma and personality. (Sings "Gimme the Ball") Range: D3-A4 (opt. C#5 & E5)
Connie Wong – A petite Asian-American dancer who exudes energy and confidence. Range: C4-D5
Paul San Marco – A Puerto Rican dancer with a deeply moving monologue about identity and acceptance. Range: C#3-F#4
Val Clark – A bold, comedic dancer with confidence and charm. (Sings "Dance: Ten; Looks: Three") Range: G#3-C#5
Mike Costa – A self-assured dancer with natural talent. (Sings "I Can Do That") Range: F3-G#4
Greg Gardner – A witty Jewish dancer with sharp comedic timing. Range: D3-E4
Bobby Mills – A quirky, flamboyant dancer with a humorous outlook on life. Range: Eb3-C4
Judy Turner – A sweet and slightly scatterbrained dancer with an endearing personality. Range: G#3-C#5 (opt. E5)
Mark Anthony – The youngest dancer auditioning, eager and full of energy. Range: E3-G#4
Bebe Benzenheimer – A shy dancer with insecurities, searching for confidence. (Sings "At the Ballet") Range: F#3-C#5
Maggie Winslow – A warm-hearted dancer with a longing for connection. (Sings "At the Ballet") Range: A3-E5 (opt. A5)
Alan Deluca: From the Bronx. Street tough dancer newly married to Kristine. Range: E3-G#4
Kristine Urich: Wide-eyed, naïve, very nervous when not dancing. Married to Al. Range: Cb4-Eb5
Don Kerr: Ladies’ man, sure of himself, flirts with Maggie, worked with Zach before. From Kansas City. Range: D3-F#4
Ensemble Singer/Dancer
Vicki - Range: C4-Eb5 (opt. B3)
Tricia - Range: Bb3-Db5
Lois — ballerina; non-speaking. Range: C4-Eb5 (opt. B3)
Frank— headband boy; non-speaking. Range: C3-Eb4 (opt. B2)
Butch — non-speaking. Range: C3-Eb4 (opt. B2)
Roy — wrong-arm boy. Range: C3-Eb4 (opt. B2)
Tom — counts with his mouth; non-speaking. Range: C3-Eb4 (opt. B2)
*Singers/Dancers used in large ensemble numbers, as Offstage Singers and as Understudies.
ALISON LEVENBERG is originally from the UK and is currently Artist in Residence in the Department of Theatre at Coastal Carolina University. Alison trained at Bird College, London, for Performing Arts, graduating with Distinction, and gained dance teacher training in the world renowned I.S.T.D. dance syllabi. Professional credits include: Broadway: “Billy Elliot”, Dance Captain and Swing; “42nd St Revival” Ensemble. “Radio City Christmas Spectacular”, Radio City Rockette, Radio City Music Hall NYC; “Billy Elliot”, UK Tour, Associate Choreographer; “Billy Elliot” Amsterdam, Assistant Choreographer; “Billy Elliot”, US National Tour, Resident Choreographer; “Billy Elliot” St Louis MUNY, Choreographer; “Billy Elliot” MT Wichita, Choreographer; “Billy Elliot” Gateway Playhouse, Choreographer; “The Producers Movie”,‘Tapping Brown Shirt’, ‘Pearl Girl’ and ‘Little Old Lady’; “Gershwin’s An American in Paris”, Alley Theatre, Houston TX; Pittsburgh CLO, Dance Captain/Ensemble (Awarded PCLO’s ‘The Julia Deberson Award for Outstanding Ensemble Member’); “Footloose” US Tour, Swing; “Spirit of the Dance” US, UK Tours and worldwide venues, ‘The Temptress’; “Girls on Tap” UK Tour, Principal Tap dancer.
As Artist in Residence at CCU, Alison teaches multiple dance styles for the BA and BFA degree concentrations in the Department of Theatre and coordinates the student process for the Dance Minor degree. Alison choreographed Carolina Forest High School’s productions of “42nd St” and “Matilda” and Coastal Carolina University’s mainstage musical “Cinderella”. Most recently she directed and choreographed Coastal Carolina University’s mainstage production of “Alice by Heart”.